Skip to Content
Oliver Frank Chanarin
Home
About
Exhibitions
Shop
Contact
0
0
Oliver Frank Chanarin
Home
About
Exhibitions
Shop
Contact
0
0
Home
About
Exhibitions
Shop
Contact
Shop Holy Bible (signed first edition)
BC_Bible_Cover.jpg Image 1 of 10
BC_Bible_Cover.jpg
BC_Bible_01.jpg Image 2 of 10
BC_Bible_01.jpg
BC_Bible_02.jpg Image 3 of 10
BC_Bible_02.jpg
BC_Bible_03.jpg Image 4 of 10
BC_Bible_03.jpg
BC_Bible_04.jpg Image 5 of 10
BC_Bible_04.jpg
BC_Bible_05.jpg Image 6 of 10
BC_Bible_05.jpg
BC_Bible_06.jpg Image 7 of 10
BC_Bible_06.jpg
BC_Bible_07.jpg Image 8 of 10
BC_Bible_07.jpg
BC_Bible_28.jpg Image 9 of 10
BC_Bible_28.jpg
BC_Bible_29.jpg Image 10 of 10
BC_Bible_29.jpg
BC_Bible_Cover.jpg
BC_Bible_01.jpg
BC_Bible_02.jpg
BC_Bible_03.jpg
BC_Bible_04.jpg
BC_Bible_05.jpg
BC_Bible_06.jpg
BC_Bible_07.jpg
BC_Bible_28.jpg
BC_Bible_29.jpg

Holy Bible (signed first edition)

£400.00
sold out

Violence, calamity and the absurdity of war are recorded extensively within The Archive of Modern Conflict, the largest photographic collection of its kind in the world. For their most recent work, Holy Bible, Adam Broomberg and Oliver Chanarin mined this archive with philosopher Adi Ophir's central tenet in mind: that God reveals himself predominantly through catastrophe and that power structures within the Bible correlate with those within modern systems of governance. The format of Broomberg and Chanarin's illustrated Holy Bible mimics both the precise structure and the physical form of the King James Version. By allowing elements of the original text to guide their image selection, the artists explore themes of authorship, and the unspoken criteria used to determine acceptable evidence of conflict. Inspired in part by the annotations and images Bertolt Brecht added to his own personal bible, Broomberg and Chanarin's publication questions the clichés at play within the visual representation of conflict.



Add To Cart

Violence, calamity and the absurdity of war are recorded extensively within The Archive of Modern Conflict, the largest photographic collection of its kind in the world. For their most recent work, Holy Bible, Adam Broomberg and Oliver Chanarin mined this archive with philosopher Adi Ophir's central tenet in mind: that God reveals himself predominantly through catastrophe and that power structures within the Bible correlate with those within modern systems of governance. The format of Broomberg and Chanarin's illustrated Holy Bible mimics both the precise structure and the physical form of the King James Version. By allowing elements of the original text to guide their image selection, the artists explore themes of authorship, and the unspoken criteria used to determine acceptable evidence of conflict. Inspired in part by the annotations and images Bertolt Brecht added to his own personal bible, Broomberg and Chanarin's publication questions the clichés at play within the visual representation of conflict.



Violence, calamity and the absurdity of war are recorded extensively within The Archive of Modern Conflict, the largest photographic collection of its kind in the world. For their most recent work, Holy Bible, Adam Broomberg and Oliver Chanarin mined this archive with philosopher Adi Ophir's central tenet in mind: that God reveals himself predominantly through catastrophe and that power structures within the Bible correlate with those within modern systems of governance. The format of Broomberg and Chanarin's illustrated Holy Bible mimics both the precise structure and the physical form of the King James Version. By allowing elements of the original text to guide their image selection, the artists explore themes of authorship, and the unspoken criteria used to determine acceptable evidence of conflict. Inspired in part by the annotations and images Bertolt Brecht added to his own personal bible, Broomberg and Chanarin's publication questions the clichés at play within the visual representation of conflict.



 Instagram

Studio, 10 Martello Street, London E8 4LY